Visible Mantra Book

I've just physically cut the proof copy of the Visible Mantra Book in half so that I can begin to work on corrections while my proof reader continues to work on the 2nd half. I'll be working mainly on the text, though some of the images will also need work. Once this phase is done the mantras in various scripts will all need careful checking. Then the formatting of the book can be tweaked, and finally an index created once the pages have settled down. Still a lot of work to do, but making progress.

I am starting to get an insight into why a book like this is a risky venture for a commercial publisher - if everyone was being paid for their time it would be very very expensive.

I still hope to get the book done by the time of the Triratna Order Convention in Aug.

I really appreciate all the donations that people have given over the last year, and all of the emails and comments. The 50p idea did not raise very much money in the end, but it may well cover the cost of hosting the website - I haven't counted up yet.

Thanks for all your support, and please continue to exercise that great Buddhist virtue of patience.

Sanskrit characters 梵字

Sanskrit characters 梵字
Originally uploaded by urapyon

Very cool Siddhaṃ lettering...

Giku

Recently Tracie wrote in:

I have a piece of calligraphy that I purchased 20 years ago at the monastery on Mt. Koya in Japan when I was an exchange student. At the time I just thought it was interesting but didn't look into its meaning.

Recently I was going through my things at my parents home and came across this piece of artwork again, I would like to know more about this character. The Japanese accompanying it says the pronunciation is Giku.

I can identify the character as gīḥ which fits with the Japanese pronunciation Giku, but I cannot find any more information about this syllable. I asked for help and my friend Maitiu replied:

In the East Asian tantric tradition at least the syllable gīḥ seems to be the bījā in mantras to the inner offering goddess Vajragītā [song of the thunderbolt]. I found Siddhaṃ mantras in two texts in the Taisho, T.867 and T.875.

T.867
金剛峯樓閣一切瑜伽瑜祇經
The Sūtra on all the Yogas and Yogins of the Vajra Peak Pavilion
唐南天竺國三藏沙門金剛智譯
Attributed to Vajrabodhi but it seems to be a compilation of ritual material rather than a translation of an Indian text.

一切如來內護摩金剛軌儀品第十
Chapter 10 – The Vajra Rite of the Internal Homa of All the Tathāgatas

[0266b18]
oṃ　va　jra　gī　te　a　gni
唵(引) 　嚩　日囉 (二合) 　儗 　帝　阿　儗 儞(二合)
huṃ　gīḥ
吽　儗(入聲)
[0266b18]

T.875
蓮華部心念誦儀軌
The Recitation Rite of the Heart of the Lotus Section

[0324b09] 內口供養。
The [four] Inner Offering [Goddesses]:
[0324b10] oṃ va jra lā sa haḥ 　oṃ va jra ma la traṭ
[0324b11] oṃ va jra gī te gīḥ 　oṃ va jra dṛ tye kṛ ṭ [this should be varjanṛtye kṛṭ]
[0324b09] 內口供養。

In the 16th section of the Sarvatathāgata-tattvasaṃgraha gīḥ occurs in a slightly different context but still connected with the word gītā.

STTS - ṣoḍaśamaḥ
Padmaguhyamudrāmaṇḍalavidhivistaraḥ

athāsāṁ mudrā bhavanti|
oṁ padmaratipūje hoḥ||
oṁ padmābhiṣekapūje raṭ||
oṁ padmagītapūje gīḥ||
oṁ padmanṛtyapūje kṛṭ||
oṁ dhūpapadmini huṁ||
oṁ padmapuṣpi hūṁ||
oṁ padmakulasundari dharmāloke pūjaya hūṁ||
oṁ padmagandhe hūṁ||

Blog for Corrections to Nāmapada

I'm keen to keep track of user generated corrections, and new names which require new entries in a future edition. So I've created a blog for this purpose: namapada.blogspot.com.

Visible Mantra Press

I've now published a second book under the Visible Mantra Press imprint via the Lulu print on demand service. My two books are

Nāmapada : A Guide to Names in the Triratna Buddhist Order.

Pilgrimage Diary (a first person account of being on pilgrimage in India)

My third book will be the book of this website. It is taking longer than I expected - my proofreader has taken several months already - it's a complex task involving multiple languages and scripts. However work is continuing on it. With the biennial Triratna Order Convention coming up in August 2011 I'm hoping to have the Visible Mantra Book finished by then.

Mantra Quote

"The mantras, however, are mysterious and each word is profound in meaning. When they are transliterated into Chinese, the original meanings are modified and the long and short vowels are confused. In the end we can get roughly similar sounds but not precisely the same ones. Unless we use Sanskrit, it is hardly possible to differentiate the long and short sounds. The purpose of retaining the source materials, indeed, lies here."

- Kūkai. Shōrai mokuroku in Hakeda. Kūkai: Major Works, p.144

Capitalising Mantras

The use of capital letters for mantras is puzzling a times. Take the mantra oṃ maṇipadme hūṃ. It's not uncommon to see this written Om Mani Padme Hum, or Even Om Ma Ni Pa Dme Hum etc. Wikipedia is full of this kind of idiosyncratic capitalisation and very resistant to change! Scholars often resort to all-caps: OM MANIPADME HUM. (Note that maṇipadme is one word, not two.)

No Indic script, including Tibetan as far as I know, has capital letters. They just write the sounds, though of course Tibetan includes a number of decorative characters but these are often used to mark the beginning of sentences or texts as a whole and aren't specific to mantras. But let me concentrate on what I know well which is Indic.

Capitals are supposed to be used for proper nouns, for the beginning of a sentence, and for the words in the title of a publication. But of course they are also, less conventionally, used for emphasis in things like advertising slogans and newspaper headlines. All-caps are OK though they don't look so good with Diacritics, and with longer mantras are difficult to read. In this age of email and SMS they appear to SHOUT! Capitalising every word looks a bit vulgar to me, like a slogan. Capitalising every syllable is ridiculous. Some of habits of capitalising religious words date back to the King James authorised version of the Bible which capitalises anything to do with God "In the beginning was the Word, and the Word was with God, and the Word was God." (John 1.1). It's almost as though by using capitals we are seeking to assert the special status of written mantras, an assertion that Indians felt no need to make. If we think a mantra is special then it is only piety to insist on it, and makes us look insecure in our belief. Capitals add nothing to the mantra really - after all the mantra is in the sounds, not the letters themselves, especially not the Roman script letters.

Over many years of contemplating mantras, especially in their written forms I've come to the conclusion that what marks the mantra out is usually the oṃ. Oṃ in Buddhism doesn't have the same kind of mystic symbolism as in Hinduism. Mainly what is says is "what follows is a mantra."

I've long just used lower-case for mantras, along with the academic convention of italics for foreign words. I think mantras are easier to read this way, and the diacritics are easy to see (for those who use them, and everyone should). It also seems a less strident, less ostentatiously pious, more confident way of writing mantras. On the whole we know the significance of a mantra if we are writing it and there's no need for a song and dance routine. Of course there is room for calligraphy and for decorative writing, but if we are representing the sounds then I advocate just using standard English conventions for capitalisation.

The correct way to write the mantra is: oṃ maṇipadme hūṃ.

Interview

I was interviewed by Ted of The Secular Buddhist. We talked about lots of stuff but especially karma, rebirth, and my brand of pragmatic Buddhism. www.thesecularbuddhist.com.

A Real Buddhist Tattoo

So. I'm still regularly asked for tattoo designs, for advice about tattoos. I still regularly get people who want tattoos of glib slogans, in scripts that they can't read, and in languages they don't speak. Often they can't distinguish between a script and a language. And in any case the tattoo is destined for some place they can't see. I'm seldom thanked for my responses because I'm honest about being bemused by the idea of tattooing something incomprehensible on one's body as a reminder of anything. I ask why someone would do such a thing, why they would spend money on it. Often a lot of money.

So I was giving some though to a really appropriate Buddhist Tattoo. I think the ideal would be to have this tattooed in English somewhere prominent that you can see:

I AM GOING TO DIE!

This seems to me to contain the essential thing that most people need to be reminded of, and doesn't pander to cosy New Age nonsense or soft-peddle the Buddha's message. This is really something that will make you stop and think about what you are doing and why. In view of the fact that you could die any time without notice are you fully prepared, is what you are doing right now the most important thing for you?

Of course there will die-hards who believe in the magical power of Sanskrit and Asian writing systems. So I have translated this in Sanskrit:

मरिष्यामि
mariṣyāmi.

Here it is in Siddhaṃ script:

Here it is in Tibetan script and orthography (but still in the Sanskrit language).

Please feel free to use these images for tattoos. Send me pictures!

British Library Lotus Sūtra Lectures

Free Talks at the British Library on 23^rd November

In order to mark the recent publication of the Sanskrit Lotus Sutra Manuscript from the British Library (Or. 2204): Facsimile Edition, the IOP-UK and SGI in association with the British Library are presenting two talks on the Lotus Sutra. Jamie Cresswell, Director of the Institute of Oriental Philosophy - UK, will host an evening of lectures by international experts on the transmission and uses of the Lotus Sutra in different cultural contexts. Lectures by

• Dr Sam Van Schaik (British Library) ‘The Lotus Sutra on the Silk Road and in China,
• Dr Lucia Dolce (SOAS) ‘Practices of the Lotus Sutra in Japan’

23^rd November 2010 from 6.30 pm to 9.00pm.
At the British Library Conference Centre
96 Euston Road
London NW1 2DB.

All are welcome to this event and tickets must be booked in advance: Book Tickets here.